Archive for the ‘Communications’ Category

Mobile data rates: Canada’s national shame

Friday, July 6th, 2007

With the US release of the iPhone permeating even Canadian news, I’m finding that my current smartphone solution just isn’t as desirable as that which I cannot buy. These days, I’m more than happy with my Treo 650, despite PalmOS showing its age. I expect a Linux-based Treo will follow the recent Palm Foleo by the end of the year. However, I don’t actually even use the data side of my smartphone.

That’s right, I have a smartphone with no web access at all. Why? Well, the 650’s wifi capabilities kind of suck, but it’s usable. However, if I want to use EDGE, I don’t have a lot of options.

Canada has three national mobile phone companies: Bell and Telus, which are both CDMA, and Rogers, which uses GSM. (It’s actually four national companies, if you include Fido, which is now owned by Rogers, and which uses the Rogers network, but has separate branding and billing plans, including things like per-second billing.)

Despite having an otherwise highly developed telecommunications network, there is a flaw: Canada’s cellular companies are gouging us on data fees. Observe. Sadly, at one point, Fido had a $20/month unlimited EDGE plan, as well as a $30/month unlimited incoming/outgoing calls plan. Needless to say, after their acquisition by Rogers, both of these were quietly canceled.

So right now, my want-to-buy device seems to be the Nokia N800 tablet. It’s a tiny 800×480, WiFi/Bluetooth web browsing, media-playing, handwriting-recognizing, 8GB-extensible Linux device. There’s no phone, but then again, I already have a phone.

So, who wants to buy me one?

Singing in the shower

Friday, March 9th, 2007

For a long time, I was embarrassed about the way my voice sounds. It’s still one of the things I have the most trouble with since the great “Hey, let’s grow 8 inches taller than everyone else in our class!” debacle of my teenage years.

It’s taken me a long time, but I’m finally feeling more comfortable with my body. I actually own (and occasionally wear!) heels now. Take that, feet!

Now I’m starting to warm up to my voice as well. When I think about it, one of the biggest catalysts happened several months ago. I randomly met a group of women visiting Vancouver from Seattle — two couples a decade or so older than me. We struck up a conversation and, one of them mentioned –without any fishing on my part– that she thought I had had a great voice. The other three chimed in, agreeing that my voice was “hot” and did I sing? Oh, but I should! I’d sound great. One of them compared it to “Shane, you know, from the L Word?” This was met with agreement and much nodding.

What!? These are not sentiments I’ve often heard. Were they messing with me? No, that didn’t seem likely, given the spontaneity and apparent sincerity of their words. Sure, perhaps their comparison to Katherine Moennig as Shane was a bit of a stretch, but then again, I’ve always known that I was being just a tad insecure and self-deprecating by describing my voice as sounding like Captain Janeway as portrayed by Bea Arthur.

Days later, after I’d given their words some thought, I realized that even if their opinion isn’t one that’s broadly agreed-upon, that’s not important. What is important is the source of the sentiment: a group of seemingly successful, socially-inclined gay women. Sure, in general terms, it’s nice being told you have an attractive quality, but I know that I’ve always been far more receptive to compliments from the cute girl handing me my coffee than from some random dude as I step around him on the street.

So maybe it doesn’t matter if everyone thinks my voice is hot, so long as it’s possible that someone does. We all seek validation from others, despite mostly realizing that it’s not particularly healthy and that we should feel good about ourselves without needing someone else’s approval. Still, free compliments feel good, particularly when they come from someone unexpected. The fact that it came from several someones — several lesbian someones — made it all the more satisfying to hear.

So where does this newfound sense of not-total-loathing leave me now? I came away from the Northern Voice 2007 conference with an interest in video blogging. I’m beta testing Second Life’s upcoming voice chat system, and as I write this, I realize that I can’t remember the last time I felt anxiety about using the phone. Wow. Maybe just singing along to Dar and Ani isn’t such a far-fetched idea after all.

Sometimes, positive change happens without us even being fully aware of it. I’d like to keep that up.

(Crossposted from a comment on ChangeEverything.ca)

Emotional cues in virtual spaces

Monday, September 18th, 2006

While frequently used to great effect in prose, text is a notoriously poor medium for conveying the emotional metadata humans rely on for face-to-face conversation. How do we know exactly how to interpret someone else’s words, stripped of their emotional context? What was intended as a simple request for information may be taken by one reader as a joke, while another may see it as a personal attack.

The system used by many modern internet users was proposed in the early 1980s by Scott Fahlman, a computer scientist with Carnegie Mellon University. He suggested that users employ a short series of characters, evoking the iconic smiley face, to demonstrate that their words were to be taken lightheartedly: :-)

While at the time, the proposal was viewed by many as somewhat tongue-in-cheek, the smiley quickly caught on, and is as recognizable as the letters “www” today, demonstrating its effectiveness in clarifying human-to-human interaction in text-based communication. In the decades since, internet users have extended the original system by adopting many other emoticons, conveying displeasure, sadness, disgust, exhaustion, and many others, inserting much-needed emotional context to their chat and email conversations.

Just as virtual environments like Second Life are frequently described as updated MUDs or chatrooms, user interactions within them can be similarly enhanced by the use of body language and gestures based on that of real-world humans. Consider the image of an avatar facing another and smiling, looking away disinterestedly, or standing with arms crossed; each conveys a radically different message even when associated with the same text.

But what about cases in which we see avatars’ body language injected into our communications without our explicit permission? There have been countless posts to the Second Life forums by newer users, angry and hurt by the disdainful, superior manner of an established resident, and how they were deliberately ignored.

These new users describe an incident that usually follows a set pattern. They approached a Linden employee or an older resident, usually a fairly high-profile content creator, and greeted them. The established resident turned to face them, looked down their nose, and turned back to what they were doing. In actual fact, this is a client-side avatar animation – when chat is “heard” on the client, avatars appear to turn their heads to face it without any input from the user controlling that avatar.

From the perspective of the Linden or longtime resident, they are unlikely to have even known anyone approached them, as they were busy doing something else: programming, browsing the web, or working on textures, leaving behind a puppet with its strings cut.

This is an example of a “subconscious” message injected to the communications channel. While no information has deliberately been conveyed, to a human observer, a clear message has been sent. The body language of the avatar has effectively spoken for its user. Yet, to the recipient of this message, the avatar is the human. From their perspective, they’ve just been snubbed by some standoffish person who clearly can’t be bothered to even give them the time of day.

Next: Deliberate subconscious filters and their implications.